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November 20, 2007

Comments

Mark Thwaite

I think this is key, Dan: "'sustained analysis' might unfold over the course of several blog posts." Certainly, there is nothing inherent in the blog form that prevents it from aping the worst academic conventions (and producing overstuffed, overlong, dry 20-odd page essays), but the beauty of the comparatively short entries on many good blogs is that on a regular basis, over time, the wide series of interventions and responses reveal the blogger's style of thought and their way of perceiving many different texts. Our learning as we read this can be very rich.

Trevor Ross

I am the colleague to whom Rohan referred. I must admit to being rather aback by your comments. You don't even know me and you've already concluded that I'm against electronic publishing, that I don't believe that sustained analysis is ever possible on the net, that I'm an old fart whose sense of prestige is bound up with traditional modes of academic discourse, etc. I suppose it wouldn't change your mind one iota to declare to you that I'm all in favour of electronic publishing, that in my capacity as Research Dean of my Faculty I've actively showcased our efforts in electronic publishing including our e-journals, and that I was referring only to how the need for speed has for better or worse dictated how the internet is being used primarily (though not exclusively) to circulate information and opinion rather than to inspire lengthy and informed reflection. The fact that you have permitted yourself such strong and unsupported opinions about me might, I suppose, confirm me in my doubts about the net as it is currently being used, but that would be jumping to conclusions.

Rohan Maitzen

While Dan is, as it happens, wrong in his assumptions about Trevor in particular, I think he is right about some of the reasons *other* academics are skeptical or negative about blogging and electronic publishing. It sounds like all three of us agree that the internet *could* be used for 'critical' purposes better than it often is. One of the challenges for academics in this context is making it professionally worthwhile to use it more deliberately.

I agree with Dan and Mark Thwaite that one way sustained analysis can occur is across a series of posts (including responses etc.). The result of such a model is a very diffuse resource, though, which pose new kinds of challenges in terms of how to kind of gather it up or synthesize it.

Dan Green

Trevor:

If you didn't say that blogs/internet are not well-suited to sustained analysis, I retract whatever implication was left that you personally do hold that view. However, the sentiment expressed by the "colleague" in Rohan's post is otherwise all too common among academics and certain literary critics.

You're wrong that literary/academic blogs are not encouraging "lengthy and informed reflection." (Although I'm not sure if "lengthy reflection" refers to the length of the posts or the time spent pondering them.) Have a look at some of the blogs on my blogrolls.

Rohan Maitzen

I think the key is whether the statement about what blogs are suited for is meant as descriptive or prescriptive, a distinction that I obscured in my original post (and wasn't entirely sure of myself--there was wine and a lot of hubbub around the conversation in which the remark was made!).

By far the most common response I've had from other academics about blogging is that they are too busy [with 'real' work, is the inference] to get involved in it. This automatic reaction is part of what I hoped to interfere with in the talk I gave. (Just to be clear, Trevor is not among those who respond this way...)

One topic you (or your readers) might have some thoughts on, Dan, as you have moved your critical work outside the 'ivory tower,' is the suggestion made by another (very tech- and blog-savvy) colleague that we (that is, academics) underestimate the extent to which our research is read by non-academics--that in fact we have a wider audience than we think. I have no real sense of whether this is true. It may be the kind of thing it's impossible to generalize about.

Jacob Russell

I'm not an academic in my critical interests. As a writer, I gravitate toward thought "in-process" --working out, rather than "worked out." The essay, as Montaigne would have it, essayer, to try out ideas, but in the company of others, as an ongoing, multi-faceted conversation.

In the blogs, 'peer review' takes place in the open. The quality of critical writing, like that of the academic journals, depends on editorial selectivity. In the blogs, you see this in the links. I find that I judge blogs by their content--and classify them by the links they choose to publish.

There's a sorting out at work here. Those who are primarily interested in increasing hits and raising their "authority," to the degree they succeed, drift into a general bookish cloud of blogs that now and then will have posts that might interest anyone, but I see more discriminating, more sharply defined associations coming together, recognizable constellations, proximities of interests and ideas and modes of expression that encourage readers to draw connecting lines, as between stars, galaxies, nebulae.

Sustained analytic works are hardly absent from these blogs, but they more often appear as links: sources suggested for readers to visit and harves, to bring back what they find to the more protean, generative milieu of interconnected conversations--the characteristic mode of the blogs.

There is no incompatibility between this and the academic mode. I think that academics who claim to have no time for searching them out might be astonished--if they were to do a search--at how many academic scholars and publications are referenced in these blogs. I would like to see longer, more systematic articles published on blogs. I see no reason why that shouldn't happen; but they would serve a different purpose here, address a different readership, opening into ever wider concentric spirals of response, throwing out sprays of sparks and light, of fructifying energy, as opposed to the self-consuming vortex of the academic journals... black holes devouring everything they produce into the same gapping maw, impotent to generate anything but more of the same.

There is no incompatibility

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The Critical Sphere

  • Jacob Russell's Barking Dog:
    "In 2007 I sent out 122 submissions, both poetry and fiction, three publishers for each story or set of poems, repeated on rejection. By the end of June this year, I’d sent out nine. Twenty-two years ago when I made the decision to work on my writing, to make a serious effort to turn out a body of work before I croaked, the submissions and occasional publications were important to me—a reminder that this was something more than a hobby. I don’t have to be reminded now. I want no less to find readers, but not like that… and probably not those readers." (more)
  • One-Way Street:
    ". . .in Baudelaire's poems, the first truly great urban poetry, the peregrinations of the flâneur turn into a kind of work. There is no rest for the Baudelairan flâneur. His double vision enables him to see the degradation of labor into endlessly repeated empty moments even as he knows the city offers up glimpses of a world we pretend doesn’t exist. Baudelaire's poetry is full of fleeting glimpses into the grotesque and the immeasurably ancient lurking in the center of Paris, the most modern city of the nineteenth century. . . ." (more)
  • Blographia Literaria:
    ". . .politics does not harm aesthetics—not finally. In discrete public moments when the novel is used as a whipping-boy or as a bludgeon for one partisan cause or another, yes, maybe it does, but I am confident that these blows are never mortal." (more)
  • Joshua Cohen at Tablet Magazine:
    "Kabbalistic practice—which, our sages hold, created angels and golems, animals for food and labor in the fields and even, once, in an experiment the Talmud attributes to Rabba, a walking talking human being—became, by the time fiction and poetry came to be written, a cultural act in which letters and words didn’t create life, but merely simulated it. Perec understood this virtuality, and exploited it to present the Oulipian writer—a writer of orders and systems, of cosmogonies and laws given only to be miraculously broken—as a sort of fallen god. Though in his time the new religion was art, or a religion of art, the mysticism underlying all making remained." (more)
  • Everything Unfinished:
    "Should e-publishing be touted as a way of drawing attention away from the fetishistic qualities of a book, and towards the redemptive properties of its content?" (more)